lineality are the formulas for the new science and art of the 
Renaissance. For the infinitesimal calculus, as a means of 
quantifying forces and spaces, depends as much on the fiction 
of homogeneous particles as perspective depends upon the 
illusion of the third dimension on flat surfaces.

     The student of the work of St. Thomas More knows how 
frequently More confronted the new passion for homogeneity in 
the sectaries of his day. We are here concerned not with 
theology but only the new psychic demand for homogeneity, no 
matter in what field. This is from “A letter of Sir Thomas More, 
Knight, impugning the erroneous writings of John Frith against 
the Blessed Sacrament of the Altar.” (43)

          If he sayd that the wordes of Chryste might beside 
     the lyttarall sence bee vnderstanden in an allegorye, I